Tadzio, golden-haired boy in Thomas Mann's novella DEATH IN VENICE, personifies transcendental Beauty as deified in the ancient Greek philosophy of Plato. Tadzio is also the unattainable love of the dying protagonist, Aschenbach ­ a middle-aged writer whose anguish symbolizes the devastating failure of European civilization to properly situate homosexuality at the core of its Greco-Roman heritage. The story, first published in 1912, as "Der Tod in Venedig" in the magazine Neue Rundschau, remains one the great classics of modern German literature.

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